New York

Jeff Shore and John Fisher


We open on the view through a window, watching as the moon rises above a lake and is reflected in its dark, still surface. Dense foliage surrounds the water; the night sky is clear and empty. The image, a video projection, is in black-and-white, but this does not detract from its lush feel. Expansive music accompanies the scene; appropriate to a grand open space, it is also shadowed by a vague portentousness, a slight queasiness that hints that there is more here than meets the eye. Slowly, as if moved by an unseen hand, the window closes and we find ourselves observing the landscape through a haze of frosted glass; then the music dies and the screen fades, momentarily, to white.

The fragment, while noirishly atmospheric, seems at first unremarkable—it could have come from any of a thousand movies or television dramas. The landscape is seductive but ultimately generic, the sound track a

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