Using acetate, acrylic, aluminum tape, corrugated plastic, felt, felt-tip markers, foamcore, ink, map pins, paper, photographs, pipe cleaners, 296 pom-poms, velour paper, and vinyl, Diana Cooper makes “three-dimensional drawings,” many of them extremely large. Her recent exhibition at the Museum of Contemporary Art featured a range of these hybrid constructions and wall reliefs, as well as two freestanding sculptures. The lush green construction Daphne, 2006, is based around a set of radiating forms that emerge from its center, while the sprawling Emerger, 2005–2007, joins a vast array of small