reviews

  • Janis Avotins

    Johnen + Schöttle

    What does the show’s title, “I write to you at 20:02 as you wrote to me at 18:08,” have to do with Janis Avotins’s pictures? At first glance, not much. Perhaps it makes us think of the e-mails that mercilessly follow us everywhere at all times—but as for the pictures themselves, their strength lies in their ability to transcend chronological and locational specificity. Gigantic, for the most part more than ten feet high and sixteen feet across, they seem to resist analysis, and their titles aren’t of any more help than that of the show, either. In Nothing from Nothing, 2008, a black cloud

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