George and Mike Kuchar

[ 2nd floor projects ]

From Auguste and Louis Lumière and Warner Bros. to Ethan and Joel Coen and the Farrellys, brother acts have had a mighty influence on the history of film. Commandeering the foundational basement of the frat house of cinema, twins George and Mike Kuchar have long wreaked havoc, creating fetid splendors too numerous to list, the titles of some of their earliest collaborations (The Wet Destruction of the Atlantic Empire, 1954; A Tub Named Desire, ca. 1956; and Pussy on a Hot Tin Roof, 1961) providing only a glimmer of the kind of sexy delirium that would influence Jack Smith, Andy Warhol, John Waters, and David Lynch, among many others. Certainly this tale is by now well known in the experimental film world, but in the art world?

While the Kuchars were making their mystic, mischievous movie (and video) magic out of and in response to the gamut of Hollywood genres, the brothers were, especially

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