new-york

Mark Van Yetter and Matt Hoyt

DISPATCH

Dispatch, a small Chinatown gallery established in 2007 by regular collaborators Howie Chen and Gabrielle Giattino, presents itself with formidable seriousness: “Dispatch offers a model for curatorial production: an office for receiving and originating exhibitions, projects, and concepts treated as time-sensitive transmissions. The activities of Dispatch reflect the independent ability to mobilize with tactical urgency, editorial decisiveness, and critical rigor.” That Dispatch’s most recent “time-sensitive transmission” was one of the quietest little exhibitions imaginable, intriguing and alienating in pretty much equal measure, makes the self-conscious institutional rhetoric—tongue-in-cheek or not—seem all the more unnecessary. Artists Mark Van Yetter and Matt Hoyt seem to appreciate that showing a few modest works, made by well-established means, is a complex enough undertaking on its

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