• Pierre Gérard

    Les Brasseurs

    As soon as visitors walked into the former warehouse that the art center Les Brasseurs calls home, they were faced with an array of objects, from an installation of tables topped with various elements to an abstract wood and cardboard sculpture fastened to a wall; from a slide projection to a display of short videos playing simultaneously on small monitors. The pieces did not have clear-cut boundaries, nor did they have individual titles. The vocabulary developed in Pierre Gérard’s exhibition “Au mauvais endroit, au mauvais moment, où encore” (In the Wrong Place, at the Wrong Time, Where Next)

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