Organized by Bonnie Clearwater of the Museum of Contemporary Art in North Miami, Florida—and here overseen by Margo A. Crutchfield—Jorge Pardo’s first museum survey is constructed as a spacious, well-furnished house. The domestic spaces (front garden, kitchen, dining room, office, bedroom, and living room) are filled with their attendant objects—sculptures and installations Pardo made between 1987 and 2007. Dispersed throughout are ten enormous photomurals depicting architectural exteriors and interiors designed by the artist. But while this may be a house, it is certainly not a home: You are