• Josef Strau

    Malmö Konsthall

    The sheer quantity of language in Josef Strau’s installations generates a logorrheic din that could test the patience of even the most committed viewer. Yet his installations are by no means chaotic, but instead rather modest or even cozy: Floor lamps huddle near posters of type-written text, discreetly pinned up, strung on ribbons, or stacked in piles for distribution. A Dissidence Coincidence but W.H.C.T.L.J.S, 2008, created for the Malmö Konsthall, is another example of Strau’s typical narrative overload: Seven texts that revisit the artist’s biblical namesake go alongside writings from past

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