The world has changed a lot since American artist Kathe Burkhart began her “Liz Taylor” series, 1982–. But the language Burkhart uses hasn’t changed one bit, as one could see in “Women and Children First,” a selection of her paintings, drawings, and photographs. In fact, the oldest work there, Eikel (Conspirator), 1994, is stylistically interchangeable with a more recent painting, Blueballs (Cat on a Hot Tin Roof), 2007. It may seem strange that in more than twenty-five years there has been no stylistic evolution—and that this constancy seems to be a defining quality of the artist’s work. Indeed,