Paulina Olowska has made it her business to address hidden historical currents within modernism, pop culture, and arts and crafts—whether responding to Polish metalworking of the 1960s, exhibiting an archive documenting the punk and New Wave scenes in Poland with almost no commentary, or devoting herself exclusively to the work of painter Zofia Stryjeńska 1891–1974) in her contribution to the Fifth Berlin Biennial. For her show at the Berlin gallery of DAAD (German Academic Exchange Service), as so often before, she invited a second artist to show with her, working with New York–based Sarah