Tel Aviv

Amit Berlowitz

Braverman Gallery

Amit Berlowitz’s cinematic studies inform all aspects of her solo exhibition “in between everything that is,” so that her photographs appear like so many successive frames from an expansive film archive. They often resemble preparatory shots or outtakes, the sketchy conceptualization of what’s to come or the discarded remains excised from the final cut. As if to underscore their transient utility and anticipated futility, they’re displayed on the gallery walls like storyboards, with handwritten titles in pencil scrawled beneath them. It’s this precarious temporality, appearing fleetingly as a mélange of “what will be” and “what has been,” that Berlowitz puts center stage.

In place of the sentimentality one might expect from such work, each of the five series envisions this fugacious temporal zone as a banal dreamscape of nonplaces and nonevents. If there’s romance involved, it emerges from

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