• Leon Vranken

    Stella Lohaus Gallery

    One of the chief qualities of “The Traveling Riddle,” an excellent exhibition by the young Belgian sculptor Leon Vranken, was its sense of tempo. Of course, like a performance in the theater or on film, an exhibition always has a conventional temporal structure, with the installation of the work followed by an opening, then the show itself, followed by a deinstallation. But over the course of this process, who could really attest to a key moment, a precise duration, a model, a format, a definitive distribution of roles? One wanders through an exhibition at liberty, viewing the works in any order

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