new-york

Lisa Kirk

INVISIBLE-EXPORTS

Inspired by the theatricality of street and media activism, Lisa Kirk’s projects—or, as she sometimes calls them, “social occasions”—are marked by a winning combination of wit, nerve, charm, and aggression. For “The Greatest Show on Earth,” her exhibition at Participant Inc. in 2003, she had an effigy of the Whitney Museum fashioned from cake, and then blown up. For her project Revolution, 2006–, she created a customized fragrance memorializing the persistent smell—or, rather, the stench—of street violence, bottled in pipe-bomb vials and “marketed” with a bandanna face-mask accessory and a DVD commercial. At times, she desists from artmaking entirely, choosing instead to curate polemical shows as rejoinders to contradictions she perceives in the art world. “I figured there was already too much art out there,” she explains. “It seemed like it would be more interesting to do something with

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