Santiago Sierra

Galería Helga De Alvear

Santiago Sierra’s art often involves a group of people whose actions in the context of the work have—or should have—moral consequences. Economic necessity is almost always the reason that people agree to perform tasks that, to varying degrees, humiliate them: They consent to be locked in a ship’s hold, to be tattooed, to shine the shoes of the visitors to an exhibition, and so on. The underlying concern in these projects is the ethics that viewers and artists bring to bear on art, a field with moral standards that appear to be different from those of other fields. What in another sphere would be abhorrent is, in art, not only accepted but even valued for its supposed self-reflexiveness. Indeed, back in 2003, at the opening of Sierra’s first show at Galería Helga de Alvear, the public was invited to try to find where the illegal immigrants hired for the occasion were hiding; this was the

to keep reading

Artforum print subscribers have full access to this article. Please sign in below.

Not registered for Register here.

SUBSCRIBE NOW and save up to 65% off the newsstand price for full online access to this issue and our archive.

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.