• Nina Beier and Marie Lund

    Croy Nielsen

    This first show at Croy Nielsen by Danish artists Nina Beier and Marie Lund was a tough case. Not because the four works they presented under the title “Permanent Collection” came off as particularly difficult to decipher. On the contrary, it’s because everything was presented so openly and was so easy to read. Everything seemed slick, superficial, too effortlessly digested. But this was precisely the exhibition’s appeal.

    Take, for instance, Autobiography (If These Walls Could Speak) (all works 2009), a site-specific piece for which Beier and Lund asked the gallery’s owners to remember all the

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  • “Transformations”


    Sometimes it is hard to see the crisis that you are in. Everybody in Berlin seems to be worrying about how many of the city’s 450 galleries will be closing and which big players will go. Meanwhile, at one of the smaller and fairly new spaces, the Berlin outpost of Rotterdam-based MKgalerie, one could see dispatches from the environmental and social crises around the globe. Transformations” did what commercial group shows seldom do: It carried a genuine curatorial message. Pim Palsgraaf’s three installations were made of taxidermied animals and found materials, resulting in works like Multiscape

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