• “Voids: A Retrospective”

    Centre Pompidou

    I keep wishing “Vides: Une Retrospective” (Voids: A Retrospective) were a work of art, but it wasn’t. It aimed to be a retrospective survey. The curators—John Armleder, Mai-Thu Perret, Mathieu Copeland, Gustav Metzger, and Clive Phillpot (along with curators from the two hosting institutions, Laurent Le Bon of the Centre Pompidou and Philippe Pirotte of Kunsthalle Bern, where the show will travel in September)—brought together nine past exhibitions where the artist left the exhibition space empty and fundamentally unaltered. They chose to simply present these shows through other empty, unaltered

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  • “Le Grand Monde d’Andy Warhol”

    Grand Palais

    With an ingenuous but almost untranslatable title, “Le Grand Monde d’Andy Warhol” expands on two floors of the Galeries Nationales du Grand Palais in Paris. (Translated by the museum as “Warhol’s Wide World,” the English title fails to capture the double entendre of “high society” that the phrase “grand monde” entails.) Comprising more than four hundred paintings, photographs, Polaroids, films, and other documents, this vast exhibition brings together the largest number of Warhol portraits ever shown. Portraits of living subjects, almost always commissioned, are seen in the wider context of

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