New York

Ry Rocklen

Marc Jancou | New York

Los Angeles artist Ry Rocklen’s fascination with the “soul residue” of discarded objects leads him to create sculptures that, while not anthropomorphic, possess many human qualities: tenderness, a complicated history, resilience despite apparent fragility. “Good Heavens,” the artist’s first exhibition in New York since the 2008 Whitney Biennial, emphasized that the seemingly childlike or quasi-mystical lens through which he views the world’s detritus is conjoined with a talent for drawing out and communicating the essential dignity in whatever catches his eye. Yet his alchemical transformations—a better word may be resuscitations—sidestep the conceptual concerns of many other artists who deploy ready-made objects in their work; one doesn’t sense Rocklen is too interested the theoretical issues raised by Duchamp and his heirs. Instead, the affective power granted his sculptures by their

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