new-york

Cheyney Thompson

Andrew Kreps Gallery

At first glance, the paintings in “Robert Macaire Chromachromes,” Cheyney Thompson’s fourth solo show at Andrew Kreps Gallery, seemed a stock conceptual prank: thirteen linen canvases offering the painstakingly hand-rendered image, in color, of an enlarged section of their underlying fabric. A second look, however, expanded this seemingly superficial tautology. Having divided the gallery into three rooms in a way that brought to mind the spatial logic of a museum, Thompson presented a succession of historical canvas formats, each painting or diptych taking the shape and dimensions of a different canonical size. In the first room, for example, there was a polite 173⁄4-by-141⁄2-inch portrait painting, a 20-by-111-inch classical frieze (appropriately hung on the upper reaches of the gallery wall), a 44-inch Renaissance tondo, a 24-inch Constructivist square, and a pithy 24-by-1-inch

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the September 2009 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.