Were Jonas Dahlberg a film director, his camera work might be described as front and center or a little bit square—but that’s OK, because his work is otherwise flush with mystifying dramas. In his earlier three-screen video Three Rooms, 2008, domestic interiors simply melt into nothing. There’s no trace of special effects, you can’t believe your eyes, and then it’s over—chests, chairs, beds, all gone. You shake your head, you move on. Dahlberg doesn’t need to move the camera around; he positions you to experience his version of the Kübler-Ross model of five stages of grief, running from denial