reviews

  • Kader Attia

    Centre de Création Contemporaine

    The implications of Kader Attia’s installation Kasbah, 2009, extended well beyond the gallery’s bare concrete walls and low, unfinished ceilings. Occupying almost every inch of available floor space and requiring nimble footwork to traverse, this oppressive universe of rusty scrap-metal rooftops, which was dotted with makeshift antennae and strewn with vagrant tires, shoes, and bricks, rendered obsolete any picturesque connotations still elicited by the work’s title, the exotic-sounding name for a North African walled citadel. Instead, Attia, a son of Algerian immigrants who grew up in the

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