new-york

Robert Kinmont

Alexander and Bonin

For those who arrived in the art world during the past three decades, Robert Kinmont was known, if at all, through the photograph of him performing a cliff’s-edge handstand reproduced in Lucy Lippard’s 1973 book Six Years: The Dematerialization of the Art Object from 1966 to 1972. That picture is part of Kinmont’s 8 Natural Handstands, 1969, which also finds him upended in desert grasslands and in a shallow river. The work is emblematic of the small but potent body of sculptures, photographs, and performances Kinmont created in the late 1960s and early ’70s, many of which were also on view in this exhibition, his first solo show in thirty-eight years. He stopped making art in 1975, initially taking care of his children so that his wife could finish a cookbook, and later studying Buddhism and working as a carpenter. In 2005 he picked up where he had left off. Sculptures of hollowed-out

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