John Delk

Thomas Robertello Gallery

Like a sly human computer, Brooklyn-based artist John Delk amasses vast quantities of data, which he processes and shuffles, changing up the platform to reconsider the content. A typical project is Pressed (all works cited, 2009), in which he took issues of the Wall Street Journal published during the spring of 2008, extracted the 1,358 hedcuts that appeared during that period (the paper’s iconic small-scale portraits), and printed them on an extremely long scroll, in chronological order and to scale. Universally recognized faces often make multiple appearances and share this stage with ephemeral newsmakers of the day, but no one is identified. And since only a portion of the 115-foot scroll is visible at a time, the stippled and hatched drawings seem to continue in perpetuity. (The work offers a glimpse of the contemporary demo- graphics of capitalist power; most of the heads are those

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