New York

Roger Ballen

Gagosian Gallery

No photographic, or even artistic, category quite encompasses the complicated, engrossing, and at times unsettling images in South Africa–based artist Roger Ballen’s new series “Boarding House,” 2003–2008, several dozen images from which made up this large exhibition. Though the artworks are consistently square-format black-and-white photographic prints, they represent a combination of photography, theatrical performance, drawing, and sculpture. The images were made in collaboration with the residents of a Johannesburg warehouse that, from Ballen’s description, seems like a miniature shantytown—a warren of tiny rooms that for decades has been its own ecosystem. There, some of society’s marginalized figures (a few labor in nearby mines, although many are entirely destitute) scratch out an existence of minimal comfort, their small dwellings divided not by solid walls but by rugs, sheet metal,

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