Leda Catunda’s retrospective exhibition at Estação Pinacoteca, with seventy-three works dating from 1983 to 2008, coincided with the premiere of a new installation at Galeria Fortes Vilaça. Emerging in the 1980s, Catunda participated in the return to painting and personal expression after a decade of experimental procedures linked to Conceptual art and institutional critique—but in a distinctive manner, painting on fabrics such as towels, sheets, clothing, plastics, and leather, often incorporating ready-made prints into the finished paintings as active parts of a commentary on domesticity.