reviews

  • William T. Wiley

    Smithsonian American Art Museum

    If American culture had to be grouped into two camps, what neater divide could there be than between idealists and pragmatists? The Pilgrim fathers, Emersons, and Clyfford Stills of this world would then square off against the Ben Franklins, Hemingways, and Rauschenbergs. Of course, reality can’t be pigeonholed so easily. Indeed, the going gets tough, and most interesting, when such opposites interact. Mergers of this kind are evident throughout William T. Wiley’s art, and their aesthetic consequences may help explain his relative neglect since the 1980s. The current retrospective recuperates

    Read more