toronto

Krista Buecking

Susan Hobbs Gallery

HURT ME NOW GET IT OVER; TOMORROW WILL BE TOO LATE; THERE GOES MY EVERYTHING: Such is the sad language of classic ballads that Krista Buecking employs, with characteristic Conceptualist rigor, in the drawing series “Love Songs for a Future Generation” (all works 2009). Rendered in tiny strokes of graphite, each statement appears sideways in vertical columns of italicized block letters and is paired with a pencil drawing of a battered piece of brick. Scanning each coupling slowly, one reaps rich rewards from the friction between these fragmentary bits of stone and syntax—forms that compete with one another, compositionally and semantically, in their separate frames of equal size.

Beat-up bricks here function as surprising metaphors for classic ballads, particularly those first-person dirges sung by scorned lovers. In Love Song for a Future Generation #2, for example, the toll taken by failed

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the April 2010 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.