The paintings in this exhibition, Ann Pibal’s second at the gallery, feature narrow rivulets of color zipping across and around monochrome backgrounds. They make clear that masking tape, with its chastening, restrictive qualities, is as important to the artist’s practice as are acrylic-laden brushes. Look intently, and these taped-off lines perform various feats of optical magic. They carve space out of the featureless expanse on which they rest, interact playfully with the colors they abut, and, when Pibal has painted the edges of the thin aluminum panels on which she works, appear from certain angles three-dimensional, as if the painting were a skyscraper with setbacks. While not conventionally expressive, Pibal’s paintings are nonetheless full of incident.
TRPHY, 2008, a work comprising six separate panels, was hung in Max Protetch’s project space. The paintings are diminutive and share
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