new-york

Sam Durant

Paula Cooper Gallery | 529 West 21st Street

No one would accuse Sam Durant of restraint when it comes to contesting mainstream, representational narratives of American history. His recent work includes Proposal for White and Indian Dead Monument Transpositions, Washington D.C., 2005, which envisages moving all the memorials to Native Americans killed during colonization to the National Mall in Washington, DC; End White Supremacy, 2008, a sign adapted from a 1963 civil rights protest displayed on the façade of Paula Cooper Gallery during the 2008 presidential election; and a show of former Black Panther Emory Douglas’s posters and prints he curated in 2007 for the Los Angeles Museum of Contemporary Art.

Durant’s work is most persuasive when it uses the conventional language of public, social memorializing against itself—as in the first of the aforementioned examples—to interrogate the ways in which structures that claim to represent

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the Summer 2010 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.