reviews

  • Goldin+Senneby

    KADIST - Paris

    This exhibition, “The Decapitation of Money,” marked the latest installment of a project titled “Looking for Headless,” initiated three years ago by the Swedish artists Simon Goldin and Jakob Senneby. Actually, it comprised the epilogue, though one should not thereby assume that “Looking for Headless”—an investigation of the offshore corporation Headless Ltd and its possible cloak-and-dagger correspondence with Georges Bataille’s secret society Acéphale (from a-cephalus, or “headless”), told in part through a novel (in addition to a blog, lectures, interviews, and even rumor)—is complete. For,

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