Under the directorship of Andrea Thal, the Zurich art space Les Complices* has in recent years become a hot spot of activity in the interstice between society and art. The name evokes an attitude: Complex projects are planned and launched “conspiratorially,” while authorship is something created through the dynamic interaction of management and staff. So it is no coincidence that Tim Zulauf’s latest theatrical project, Der Bau der Wörter (The Construction of Words), 2010, had its starting point here: After buying a ticket at Les Complices, one was handed a book titled Tagebuch einer Planung (