In 2008, the Contemporary Art Museum St. Louis launched its Front Room, a modestly sized gallery space off the entrance lobby, in which guest curators organize experimental, short-run shows. This March, an unlikely pairing of works by the late, Lithuanian-born Fluxus artist George Maciunas (works selected by Mari Dumett) and Georgian, Berlin-based artist Thea Djordjadze (curated by Mel Trad) produced some unexpected revelations, and even a few formal parallels that encouraged us to read process-based narratives into Djordjadze’s often opaque installations, while synthesizing the odds and ends