Distributing a medium across the thousand plateaus of perception is an exercise that visual artist and filmmaker Josef Dabernig has mastered like no one else. He studied sculpture, but since then has been dissolving the concept of sculpture in the acid bath of media plurality—a plurality that this creator of conceptual cross-references identifies as “film, photo, text, object, architecture.” For his recent show “Sports Grounds and Structural Approach,” Dabernig put his eclectically expressive vocabulary at the disposal of a personal passion: soccer (previously the subject of one of his most