Sarah Browne’s recent exhibition took its title from her work Second Burial at Le Blanc, 2011, which consists of a silent color 16-mm film projection and a glass-domed object identified as a “ticker-tape countdown clock.” The film documents an event staged by the artist in the French town of Le Blanc on April 1, 2011: Local residents carried the clock on a wooden bier, proceeding from the modern Hôtel de Ville or town hall to Château Naillac, a medieval castle that houses a small museum. The film ends with a close-up of the object in the museum, its ticker tape in silent motion. In the gallery,