reviews

  • Uri Nir, Second Chance, 2011, still from a black- and-white video, 3 minutes 51 seconds.

    Uri Nir

    Tel Aviv Museum of Art

    Mixed messages and cross-purposes obstructed the thrust of “Accelerator,” the most ambitious (read: high-budget) effort yet of Uri Nir’s budding career. Presented together as one synchronized entity, four discrete but related elements occupied three spaciously contiguous galleries. One housed a sprawling installation of large, freestanding doors that cut up the space at irregular intervals parallel to the room’s rectilinear perimeter, as though shorthanding an invisible interior architecture. Emulating the carved heft of heavy ancient gates, the doors were made of translucent Plexiglas and

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