View of “Antonio Ballester Moreno,” 2011.

View of “Antonio Ballester Moreno,” 2011.

Antonio Ballester Moreno

La Casa Encendida

View of “Antonio Ballester Moreno,” 2011.

The question of the relationship between children’s art and that of adults has long interested Antonio Ballester Moreno. At a previous exhibition here, titled “No Future,” he showed drawings he himself had made as a child. The background to “No School,” his most recent show, was a workshop that Ballester Moreno gave, in which participants attempted to do away with learned technique and acquired sophistication in order to make something much simpler, something more akin to the art of children.

“No School” featured the pieces made by participants in the workshop along with a single sculpture. Just as in a show of student art at the end of the school year, the drawings were hung on the walls of two hallways. All are on A2 paper (about sixteen by twenty-three inches), and they cover an array of themes: self-portraits, still lifes, Nativity scenes, landscapes, and trees, as well as

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