Yamini Nayar, Cascading Attica, 2011, color photograph, 40 x 50".

Yamini Nayar

Thomas Erben Gallery

Yamini Nayar, Cascading Attica, 2011, color photograph, 40 x 50".

The overwhelming experience of looking at Yamini Nayar’s photographs is that of mystification: One can look and look and still be puzzled. The photographs invite us to view them as representations of three-dimensional space, but they complicate or even do away with the tools we use, largely without realizing it, for interpreting volume: perspective, vanishing point, background, and foreground. It is difficult to describe, much less understand, what one sees.

To create these beguiling images, Nayar built ephemeral sculptural tableaux from little bits of this and that, paper, foil, and string, and other kinds of detritus less easy to identify, and photographed them from different angles, and in slightly different configurations. In Cascading Attica (all works 2011), a panel, mostly rectangular, of smoky gray interrupts swaths of rich blue that swirl down from collaged photographs of

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