Los Angeles–based artist Rebecca Lowry champions an openness, even a generosity, of interpretation. In the artist’s statement that accompanied this exhibition, she writes, “The goal is simply to stimulate thought and provoke new understanding,” identifying one of her intentions as to render “meaning wholly inaccessible while leaving suggestions of its presence.” From such hermeneutic elasticity emerge accordingly motley works. Described as “object poems,” the dozen on view here were made of materials ranging from the customary (graphite, ink, and glue) to the arcane (magnetic videotape,