“Light Years: Conceptual Art and the Photograph, 1964–1977”
The Art Institute of Chicago
For a time, the consensus on Conceptual art was that it had to do with “dematerialization” or “idea”; after a while, though, it began to seem better to read the specificity of Conceptualism through its emphasis on language. But in recent years, there has been a shift away from seeing language as Conceptualism’s distinguishing attribute to what might seem a somewhat surprising element: photography. In the past, there was a tendency to strategically ignore photography’s role as a medium, since Conceptualists often treated the camera as a simple artless recording device, leaving “fine art” photography