To celebrate the Pulitzer Foundation for the Arts’ tenth anniversary in its Tadao Ando–designed building, the institution decided to showcase the world-class reserve of work collected by its founders, Emily Rauh Pulitzer and her late husband, Joseph R. Pulitzer Jr. Charged with selecting a curator, Emily Pulitzer invited New York–based artist Gedi Sibony, a surprising choice, given that he is known for staging minimal sculptural gestures in decidedly unmonumental materials—drywall, plastic sheeting, patches of industrial carpet. But to the extent that his practice is largely one of responding