Just as some of the best recent French art is made by artists who live or have lived outside France, many of its best exhibitions take place outside Paris, in the provinces, where regional institutions subject themselves to risks that their more venerable metropolitan counterparts are unwilling to undertake. Isabelle Cornaro’s stunning exhibition at Le Magasin is a case in point. Having passed through the École du Louvre before studying with Jean-Luc Vilmouth at the École Nationale Supérieure des Beaux-Arts in Paris and, through an exchange program, at the Royal College of Art in London, Cornaro