• Wael Shawky, Al Araba Al Madfuna, 2012, video, black-and-white, sound, 21 minutes.

    Wael Shawky

    KW Institute for Contemporary Art

    Wael Shawky’s elaborate filmed marionette piece Cabaret Crusades: The Horror Show File, 2010, based on the history of the First Crusade at the end of the eleventh century, was one of the most impressive works at Documenta 13. The second part of his planned video trilogy, Cabaret Crusades: The Path to Cairo, 2012, was recently shown as part of the Berlin exhibition “Wael Shawky. Al Araba Al Madfuna,” curated by Susanne Pfeffer.

    The battle continues: In this second installment, Aleppo’s ruler agrees to mount a cross on the minaret of the city’s Great Mosque; Jerusalem burns; heads roll on both the

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  • Rodney Graham, Old Punk on Pay Phone, 2012, painted aluminum light box with transmounted chromogenic transparency, 92 5/8 x 59 5/8".

    Rodney Graham

    Johnen Galerie

    There’s always a lot of Rodney Graham in a Rodney Graham show. In “Rodney Graham: Canadian Humourist,” however, we often seemed to be seeing the artist unmasked, even though he still loves to slip into someone else’s work, someone else’s role. Yet in many ways this was a classic Graham exhibition: a complex network of cultural and personal references, with the rather inconspicuous photogravure Meissonier with My Thumbprint, 2009, as something like its epitome. Here, Graham reprints an etching of a soldier and his horse by the nineteenth-century French painter renowned for his minutely detailed

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