In “Conspiracy Theory,” Edy Ferguson treated the white cube like one of her paintings, which she produces initially from sketches made from images she has cut into squares and reassembled into compositional assemblages or picture puzzles. Here she incorporated paintings into larger installations with videos, photomurals, texts, and sounds (courtesy of a radio installation). One work on paper, Performance Drawing, 1999, summed it all up: Logos for Starbucks, Warner Bros., and Hard Rock Café were shown hanging like artworks in a roughly sketched-out room with other signage as well as abstract