To encounter the new work of Felix Schramm is to go down the rabbit hole. His latest exhibition, “Accumulation,” consisted of three sculptures and a number of photocollages, all of which destabilize the relationship between viewer and sculpture by constantly altering scale. Though they represent a departure from Schramm’s previous large-scale sculptural interventions and his less familiar quasi-figurative polyurethane castings, these new works incorporate aspects of both, leaving the viewer uncertain of his or her relationship to the object. Much like Lewis Carroll’s hookah-smoking caterpillar,