An unusually close observer of mundane objects, Haegue Yang throws into relief the warp and woof of their form and function, sometimes even weaving in a sort of cognitive Walden Pond by which to contemplate them. With new sculptural works at Aubette 1928—in the only three rooms preserved of the 1928 four-story nightlife complex conceived as an avant-garde Gesamtkunstwerk by Jean Arp, Sophie Taeuber-Arp, and Theo van Doesburg—and an overview of two-dimensional works from 1999 to 2013 at the Department of Prints and Drawings of the Musée d’Art Moderne et Contemporain Strasbourg (MAMCS),