New York

View of “Jacolby Satterwhite,” 2013.

View of “Jacolby Satterwhite,” 2013.

Jacolby Satterwhite

Recess Activities, Inc.

View of “Jacolby Satterwhite,” 2013.

Many times when we say collaboration, we actually mean task-based audience participation, or even, simply, appropriation. Think, for example, of how “collaborative” processes such as workshopping and inviting audience contributions often result in a single-authored artwork—the artist has annexed others’ efforts as his own. Jacolby Satterwhite literally dances amid these semantic distinctions, producing a body of work that mines the slippery word for all it’s worth. To create his fantastical videos, the artist makes CGI renderings of speculative consumer products drawn by his mother, and pairs these animated digital graphics with footage of his own performing body. In his current show, he also solicits actions from members of the public that later become part of the works. His practice is rooted in a personal history that, to some, would sound particularly fraught. Previous

to keep reading

Artforum print subscribers have full access to this article. Please sign in below.

Not registered for Register here.

SUBSCRIBE NOW and save up to 65% off the newsstand price for full online access to this issue and our archive.

Order the PRINT EDITION of the December 2013 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.