Thirty years after Klaus Nomi’s death, the Neuer Aachener Kunstverein (NAK) dedicated an exhibition to the visionary musician and performance artist whose theatrical self-fashioning, developed in the context of glam, new wave, and disco, continues to resonate. For his first exhibition, NAK’s new director, Ben Kaufmann, compiled a great deal of original visual and audio material as well as previously unseen footage of interviews with Ulrike Ottinger, Jürgen Klauke, Melissa Logan, Wolfgang Staehle, and others, giving visitors an opportunity to engage with Nomi’s various strategies of self-presentation