Suspended existence has been a recurring theme for Turkish artist İnci Eviner, and her 2012 video Nursing Modern Fall continues to convey this condition both in content and form. This single-wall projection presents a scene that resembles both Escher’s labyrinths and Bruegel’s town scenes in a three-minute loop, a filmic assemblage combining drawing and live action in which various figures perform repetitive gestures as if in broken images from a collective memory. Eviner’s drawings of humans in odd postures and fragmentary renderings of imaginary/real spaces superimposed by video techniques