“Just what is it,” asked Roshan Chhabria via cut-up text pasted on a wall in his debut solo exhibition, “that makes today’s Mothers so different so appealing?” Just above this cheeky question—a revised quotation from Richard Hamilton—were three graphite-and-watercolor drawings, all dated 2011, depicting an upper-middle-class Indian housewife engaged in stereotypical activities. She works out with a personal trainer. She lounges in bed watching a soap opera while instructing a servant. In a pink-and-ocher dress and with two children in tow, she plods down the runway of a “mother and