Argentinean artist Leandro Erlich’s show “La Invención” comprised three works, each of which highlights the way that ordinary things can become uncanny when, recontextualized, the quotidian is transformed into a space for inquiry. Because the show was split between unconnected rooms—an upstairs exhibition space and a ground-floor office—it was difficult for the viewer to realize that the video Global Express, 2011, playing in Luciana Brito’s office on an LED screen housed in a metal structure resembling a train window, was even part of Erlich’s show, especially since an exhibition by