We have, of late, witnessed a surge in scholarship on the Surrealist artists who gathered in Mexico City during World War II, and several recent exhibitions in California have interested a larger public in this group’s multitudinous activities. In 2012, after the Los Angeles County Museum of Art presented “In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States,” the Getty Research Institute’s exhibition “Farewell to Surrealism: The Dyn Circle in Mexico” concentrated on a small group of émigrés who broke with André Breton to establish a “post-Surrealist” practice